Discover how men and women perceive the world differently and why they won't agree on the colour or shape of the sofa! The book is written as a work of popular psychology and opens with an anecdote about William and Kate, the Duke and Duchess of Cambridge, and how on their visit to Canada when they both took up a paintbrush, she lavished care on the rounded shell of a snail, while he formed straight lines into a square.
Through anecdote and reviews of worldwide studies, the book reveals how men's designs and design preferences are rooted in a hunter way of seeing requiring excellent 3D vision and focus on a distant horizon (leading to a focus on straight lines, little colour and little detail); by contrast, women's designs and preferences are rooted in a gatherer way of seeing evolved from millions of years of close-up vision focused on picking berries and nurturing babies with rounded features. These activities placed a premium on being responsive to round shapes, colours and detail.
Through many experiments with graphic, product and web design, the author, Gloria Moss, has now found that what men and women produce visually is differentiated in consistent ways and moreover there is a massive tendency for people to prefer designs/ visuals produced by people of their own gender. Since a high proportion of designers and marketers are male and since about 83% of consumers are female, you can see the potential implications of this discovery. Moreover, you could ask whether the largely male artistic canon reflected in Art Galleries around the world could be linked to the fact that the majority of gallery curators have been men.
This is a controversial but fun book to read which takes a fresh look at the way gender affects visual tastes, and the implications of this for relationships and the physical world around us (buildings, products and Fine Art).
Employer, employee, student, teacher, parent...whoever you are, this book will amaze you with its insights into all human communication.
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The book traces the multiple meanings of art to their various sources, and equips the reader to choose between them.
This book attacks the ideological foundations of capitalism, starting with the mystifications surrounding the idea of ‘the market’.
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